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Maximilian Toth

Until The Young Are Hatched, Fledged and Flown

August 28 – October 6, 2007

Max Toth, All of Us Will Be Only What We Have Made of God

Max Toth

All of Us Will Be Only What We Have Made of God

Graphite, grease pencil, oil on canvas

96 x 126 inches 243.8 x 320 cm

MT106

Max Toth, Deadman's Float

Max Toth

Deadman's Float

graphite, grease pencil, oil, black ground on canvas

96 x 72 inches 243.8 x 182.9 cm

MT105

Max Toth, xox

Max Toth

xox

Graphite, grease pencil, charcoal, oil, gold leaf, black ground on canvas

96 x 72 inches 243.8 x 182.9 cm

MT104

Max Toth, Witnesses Awaiting Judgement in a Great Vomit of Blood

Max Toth

Witnesses Awaiting Judgement in a Great Vomit of Blood

Graphite, grease pencil, chalk, pastel, oil, black ground on canvas

96 x 174 inches 243.8 x 442 cm

MT103

Max Toth, We Strike Out to Fall Flailing

Max Toth

We Strike Out to Fall Flailing

Graphite, grease pencil, charcoal, oil, house paint, gold leaf, black ground on canvas

96 x 102 inches 243.8 x 259.1 cm

MT102

Max Toth, I Am This and That Is Other

Max Toth

I Am This and That Is Other

Graphite, grease pencil, chalk, pastel, oil, black ground on canvas

96 x 102 inches 243.8 x 259.1 cm

MT101

Max Toth, Out of the Ocean, onto the Pier: a Progression Towards Felix Culpa

Max Toth

Out of the Ocean, onto the Pier: a Progression Towards Felix Culpa

Graphite, grease pencil, chalk, pastel, oil, black ground on canvas

96 x 168 inches 243.8 x 426.7 cm

MT100

Press Release

Fredericks & Freiser is pleased to announce a solo exhibition of paintings by Maximilian Toth. Toth makes large-scale canvases of sketchy figures on chalkboard-black grounds. His figures consciously suggest a process, a fast rendering of a moment by which the raw physicality of a line describes both the potential to uncover a narrative as well as the active presence of a narrator. 

Toth's subject is an updated suburban folk lore. Each scenario is based on a story from the artist‚s years growing up in a small New England town. He focuses on the type of tales that those who grew up in suburban America tell and retell either to establish shared experience or buoy individual origins. Yet these stories, which invariably invoke

degrees of violence (from innocent to absurd to deadly), address larger issues. Like all myths they serve to soothe the uncertainties of those who tell and those who listen. Toth's paintings aim to describe the narration from both points of view. 

About the Artist
Max Toth (born 1978) received a BFA from Art Center, Pasadena and an MFA from Yale in 2006. Since then, he has been included in group shows at Wadsworth Athenaeum, Dallas Contemporary, Daniel Weinberg Gallery, Jack Tilton Gallery, and Fredericks & Freiser. This will be his first one-person exhibition. Toth was born in New Orleans, raised in Massachusetts and currently lives and works in New Haven.