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Fredericks & Freiser is very pleased to announce an exhibition of new paintings by John Lurie. The Skeleton In My Closet Has Moved Back Out To The Garden exemplifies the sharp wit and black humor that is the heart of Lurie’s discourse. This will be Lurie’s first exhibition with Fredericks & Freiser. 

What one first notices in Lurie’s work is the humor. His humor is annihilating. Lurie has developed a distinctive parlance of primitive line, colloquial language, and perceptive witticism. He broaches necessary questions in perhaps the only way we can access them—by the alarming surprise of his simplicity, and the non-sequiturs in association with his symbolism. But it would be a mistake to think the humor was the most important element of these paintings. 

Like his music, the work has a broken, childlike quality that gives a glimpse into an visionary world. Alternatively exposing or addressing the larger, enduring myths of our culture through sketches of seemingly lost childhood reveries, John Lurie’s paintings presents his musings through interpretive storytelling—haunting, poignant, or puerile  

as the outcome may ultimately be. Glenn O’Brien writes, “Like Thelonious Monk, Lurie knows how to exploit the seemingly wrong note, the wrong color. It is a private language of hieroglyphics reflecting his unique self-education. His paintings, while sometimes pointedly primitive, are beautifully crafted with a refined obstinacy.” 

About the Artist
Having first emerged in the late 1970s as the front man for the avant-garde jazz group the Lounge Lizards, John Lurie (b. 1952) has since established himself as a formidable presence in the New York cultural scene. Lurie has recorded 22 albums and scored over 20 movies. He was nominated for a Grammy award for the score of Get Shorty. Over the past number of years, he has exhibited his works extensively. His one person exhibitions include: P.S. 1 Contemporary Art Center , Long Island City; The Montreal Museum of Fine Arts; the MUDAM, Luxembourg; and the Watari Museum of Contemporary Art, Tokyo (upcoming). His books include John Lurie: A Fine Example of Art,published by Powerhouse Books in 2009, and Learn to Draw, published by Walther Koenig in 2006.

Images

Panther outside of house as photographed by Abraham Zapruder, 2006, Clayboard, watercolor, oil pastel

Panther outside of house as photographed by Abraham Zapruder, 2006

Clayboard, watercolor, oil pastel

18 x 24 inches

In this painting the artist’s soul has been corroded by assholism. I think you know who you are, 2008, Watercolor, oil pastel and graphite on clayboard

In this painting the artist’s soul has been corroded by assholism. I think you know who you are, 2008

Watercolor, oil pastel and graphite on clayboard

12 ¼ x 16 ¼ inches

You have a right to the pursuit of happiness. Good luck with that. You have the right to bear arms, 2009, Oil paint and oil pastel on linen

You have a right to the pursuit of happiness. Good luck with that. You have the right to bear arms, 2009

Oil paint and oil pastel on linen

18 x 24 inches

John and Jaya, 2007, Watercolor, oil pastel, ink on clayboard

John and Jaya, 2007

Watercolor, oil pastel, ink on clayboard

18 x 24 inches

This was the exact moment Marge decided to kill her husband, 2006, Watercolor, oil pastel on clayboard

This was the exact moment Marge decided to kill her husband, 2006

Watercolor, oil pastel on clayboard

24 x 36 inches

This is what I really call a message, 2009, Oil on linen

This is what I really call a message, 2009

Oil on linen

18 x 24 inches

Egyptian on a train. He has no bomb. Sorry., 2009, Oil on linen

Egyptian on a train. He has no bomb. Sorry., 2009

Oil on linen

25 x 33 inches

The spirits are trying to tell me something, but it’s really fucking vague, 2008, Watercolor, oil pastel on clayboard

The spirits are trying to tell me something, but it’s really fucking vague, 2008

Watercolor, oil pastel on clayboard

14 x 18 inches

When I die, I want to go like my grandfather, asleep and at peace. Not like the people screaming in the other car, 2006, Watercolor, oil pastel on clayboard

When I die, I want to go like my grandfather, asleep and at peace. Not like the people screaming in the other car, 2006

Watercolor, oil pastel on clayboard

18 x 24 inches

Hummingbird, 2009, Oil on linen

Hummingbird, 2009

Oil on linen

18 x 24 inches

I am thankful for my skeleton. He is still in the garden, 2009, Oil on linen

I am thankful for my skeleton. He is still in the garden, 2009

Oil on linen

25 x 33 inches

Mr. Nefertiti with Angel caught in beard, 2006, Watercolor, oil pastel on clayboard

Mr. Nefertiti with Angel caught in beard, 2006

Watercolor, oil pastel on clayboard

20 x 16 inches

Dear God, 2009, Oil on linen

Dear God, 2009

Oil on linen

18 x 24 inches

Bus Driver, 2009, Oil in linen

Bus Driver, 2009

Oil in linen

18 x 24 inches

Bones are on the outside, 2006, Watercolor, ink on clayboard

Bones are on the outside, 2006

Watercolor, ink on clayboard

18 x 36 inches

Sorry there is nothing. Signed, The Management., 2009, Oil on linen

Sorry there is nothing. Signed, The Management., 2009

Oil on linen

18 x 24 inches

War Bird of the Infidels, 2004, Watercolor on clayboard

War Bird of the Infidels, 2004

Watercolor on clayboard

20 x 16 inches

I need to know if there is life after death and I need to know kinda soon, 2007, Watercolor, oil pastel, ink on clayboard

I need to know if there is life after death and I need to know kinda soon, 2007

Watercolor, oil pastel, ink on clayboard

14 x 18 inches

The old man finally decided to tell the story of the irritating horse, 2009, Oil on linen

The old man finally decided to tell the story of the irritating horse, 2009

Oil on linen

24 x 36 inches

Everyone found Bernard’s lascivious nature disgusting. So he bought a bird, who also found him disgusting, 2009, Oil on linen

Everyone found Bernard’s lascivious nature disgusting. So he bought a bird, who also found him disgusting, 2009

Oil on linen

18 x 24 inches

The Anchor is stuck., I cannot go anywhere.

The Anchor is stuck.

I cannot go anywhere.

Time for a sandwich., 2009

Oil on linen

18 x 24 inches