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Contents May Vary

June 10 – August 1, 2025

Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Contents May Vary
Anastasya Peña, Heart to Heart, 2025

Anastasya Peña

Heart to Heart, 2025

Oil and acrylic on canvas

80 x 80 inches

Ji Zou, The Sheltering Sky, 2025

Ji Zou

The Sheltering Sky, 2025

Mixed media on canvas

35 x 47 inches

Lizzy Lunday, Clamshell, 2024

Lizzy Lunday

Clamshell, 2024

Oil and acrylic on linen

60 x 50 inches

Katelyn Ledford, Slow Spiral, 2024

Katelyn Ledford

Slow Spiral, 2024

Oil and acrylic on canvas

48 x 36 inches

Sam Mattax, Sightings of settling, 2024

Sam Mattax

Sightings of settling, 2024

oil, oil stick and lead pencil on canvas

66 x 54 inches

Anna Kenneally, Still Life Escape Artist, 2023

Anna Kenneally

Still Life Escape Artist, 2023

Oil on canvas

63 x 78 inches

Danielle Roberts, Rococo Vexed, 2025

Danielle Roberts

Rococo Vexed, 2025

Acrylic on canvas

52 x 46 inches

Jocelyn Hobbie, Floating World, 2024

Jocelyn Hobbie

Floating World, 2024

Oil on canvas

24 x 24 inches

Ji Zou, A Host For All Life, 2025

Ji Zou

A Host For All Life, 2025

Mixed media on linen

20 x 24 inches

Maria Calandra, Stonington Sunflower at Sunrise, 2024

Maria Calandra

Stonington Sunflower at Sunrise, 2024

Acrylic on linen

10 x 8 inches

Anastasya Peña, Creep, 2025

Anastasya Peña

Creep, 2025

Oil and acrylic on canvas

60 x 48 inches

Kate Pincus-Whitney, Call Us What We Carry, 2023

Kate Pincus-Whitney

Call Us What We Carry, 2023

Acrylic, polycolor and gouache on canvas

40 x 60 inches

Danielle Roberts, Fade and Forget (doubles), 2025

Danielle Roberts

Fade and Forget (doubles), 2025

Acrylic on canvas

54 x 36 inches

Amélie Peace, Lovers Quarrel (after Pièta by Bellini), 2024

Amélie Peace

Lovers Quarrel (after Pièta by Bellini), 2024

Acrylic on canvas

55 x 47 inches (120 x 140 cm)

Press Release

Fredericks & Freiser is pleased to present Contents May Vary, a group exhibition that embraces variety not as a seasonal inevitability, but as a working method. This isn’t a summer vacation.

 

It’s a field of competing frequencies—shifts in scale, tone, and intent—gathered not to define the program, but to stress its pressure points.

 

Borrowing its title from the familiar packaging disclaimer, Contents May Vary resists coherence in favor of proximity: works placed not for alignment, but for charge. Think of the exhibition not as a show with a thesis, but as a structure built from friction—between figures and fields, decoration and dissonance, the polished and the unstable.

Some works will rotate or reappear throughout the run—not as spectacle, but as part of the gallery’s longer rhythm of testing, revision, and return. What looks like looseness is, in fact, a form of listening.

 

Contents May Vary reflects the gallery’s belief that aesthetic friction is not a flaw in the system—it is the system. And that the most lasting encounters often begin not with resolution, but with tension that holds.