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Zak Smith

Exquisite as Fuck

September 28 – October 29, 2005

Zak Smith, T.V. with Arlen Specter

Zak Smith

T.V. with Arlen Specter

Ink on paper

12.5 x 10.25 inches 31.8 x 26 cm

ZS147

Zak Smith, Car Interior, L.A., 2005

Zak Smith

Car Interior, L.A., 2005

Ink on paper

9 x 6.75 inches 22.9 x 17.1 cm

ZS146

Zak Smith, T.V. with Karl Rove, 2005

Zak Smith

T.V. with Karl Rove, 2005

Ink on paper

8.25 x 7 inches 21 x 17.8 cm

ZS144

Zak Smith, Study-Green Monkey and Stuff

Zak Smith

Study-Green Monkey and Stuff

Ink on paper

11.25 x 7 inches 28.6 x 17.8 cm

ZS143

Zak Smith, Another Abstract Drawing

Zak Smith

Another Abstract Drawing

Ink on paper

9 x 7 inches 22.9 x 17.8 cm

ZS142

Zak Smith, T.V. with William Rehnquist, 2005

Zak Smith

T.V. with William Rehnquist, 2005

Ink on paper

7.5 x 6.75 inches 19.1 x 17.1 cm

ZS141

Zak Smith, Self-Portrait In Back Seat, Los Angeles, 2005

Zak Smith

Self-Portrait In Back Seat, Los Angeles, 2005

Acrylic and ink on paper

9 x 7 inches 22.9 x 17.8 cm

ZS140

Zak Smith, Mosh Pit, C Squat, NYC, 2005

Zak Smith

Mosh Pit, C Squat, NYC, 2005

Acrylic and ink on paper

9 x 7 inches 22.9 x 17.8 cm

ZS139

Zak Smith, Abstract Drawing

Zak Smith

Abstract Drawing

Acrylic and ink on paper

9 x 6.75 inches 22.9 x 17.1 cm

ZS138

Zak Smith, Abstract Drawing With Color, 2005

Zak Smith

Abstract Drawing With Color, 2005

Acrylic and ink on paper

9.5 x 6.75 inches 24.1 x 17.1 cm

ZS137

Zak Smith, Girls In The Naked Girl Business: Raven, 2004

Zak Smith

Girls In The Naked Girl Business: Raven, 2004

Acrylic and ink on paper

37.5 x 32.25 inches 95.3 x 81.9 cm

ZS135

Zak Smith, Great Big Fucking Neon Distraction, 2000

Zak Smith

Great Big Fucking Neon Distraction, 2000

Acrylic and ink, color contact print, mixed media

28 x 35 inches 71.1 x 88.9 cm

ZS134

Zak Smith, Girls In The Naked Girl Business: Charlie, 2004

Zak Smith

Girls In The Naked Girl Business: Charlie, 2004

Acrylic and ink on paper

40 x 30 inches 101.6 x 76.2 cm

ZS133

Zak Smith, Welcome Back to Fucked, 2005

Zak Smith

Welcome Back to Fucked, 2005

Acrylic and ink on paper

31 x 24.25 inches 78.7 x 61.6 cm

ZS132

Zak Smith, Girls In The Naked Girl Business: Voltaire, 2004

Zak Smith

Girls In The Naked Girl Business: Voltaire, 2004

Acrylic and ink on paper

38.5 x 28 inches 97.8 x 71.1 cm

ZS131

Zak Smith, Girls In The Naked Girl Business: Aprella, 2005

Zak Smith

Girls In The Naked Girl Business: Aprella, 2005

Acrylic and metallic ink on paper

33 x 25 inches 83.8 x 63.5 cm

ZS130

Zak Smith, The Painting That Is Fun To Look At, 2005

Zak Smith

The Painting That Is Fun To Look At, 2005

Plastic balls, cough drops, cassette case, pens, tacks, remote control, swim goggles, and other mixed media

31.5 x 24 inches 80 x 61 cm

ZS129

Zak Smith, Girls in the Naked Girl Business: Amber, 2004

Zak Smith

Girls in the Naked Girl Business: Amber, 2004

Acrylic and metallic ink on paper

36.5 x 25.5 inches 92.7 x 64.8 cm

ZS128

Zak Smith, Girls in The Naked Girl Business: Sawa, 2005

Zak Smith

Girls in The Naked Girl Business: Sawa, 2005

Acrylic and metallic ink on paper

38.5 x 28.5 inches 97.8 x 72.4 cm

ZS127

Zak Smith, The Best Piece In The Whole Show, 2005

Zak Smith

The Best Piece In The Whole Show, 2005

Contact-printed drawing

29.5 x 39 inches 74.9 x 99.1 cm

1 of 5

ZS126

Zak Smith, Red Ninja House, 2005

Zak Smith

Red Ninja House, 2005

Acrylic and ink on paper

40 x 30 inches 101.6 x 76.2 cm

ZS124

Zak Smith, 100 Girls and 100 Octupuses, 2005

Zak Smith

100 Girls and 100 Octupuses, 2005

Acrylic and metallic ink on paper

98 parts 10 x 8 inches (each) 25.4 x 20.3 cm 69.5 x 111.5 inches (overall) 176.5 x 283.2 cm

ZS123

Zak Smith, Girls in the Naked Girl Business: Gwen, 2004

Zak Smith

Girls in the Naked Girl Business: Gwen, 2004

Acrylic and ink on paper

38.5 x 28 inches 97.8 x 71.1 cm

ZS125

Press Release

Fredericks & Freiser will inaugurate our new gallery location at 536 West 24th Street with an exhibition of new works by Zak Smith. For his third exhibition at Fredericks & Freiser, Smith will include four abstract paintings, the first seven portraits in his series Girls in the Naked Girl Business, and the large-scale 100 Girls, 100 Octopuses, a painting in 100 parts.

Smith's Girls in the Naked Girl Business are stylized portraits of strippers, go-go girls and fetish models that intimately capture stillness in an ever-encroaching world. His hypnotic and obsessive abstract paintings follow a similar path charting digressions and regressions and variations—examining the DNA of picture-making through a microscopic lens. 100 Girls, 100 Octopuses is decadent, opulent, and lavish. Recalling both the richness of Persian painting and the serial variation of modernism, the work defines the erotic and exotic amid the swirling patterning of skimpy clothing, imaginary interiors and luminous octopus skins. 

Zak Smith was born in 1976 and lives and works in New York. His work demonstrates a neo-punk aesthetic conversant in comic book-style drawing, vivid psychedelic coloration, experimental photo process, and traditional draftsmanship. Within a general atmosphere of dazed freneticism, Smithís work focuses on people, places and things (real and imagined) to form an intricate, articulate, and distinctive world that is exquisite for exquisite's sake.

His work is included in the permanent collections of The Museum of Modern Art, New York and Walker Art Center, Minneapolis. His work has been exhibited at The Carnegie Museum, Pittsburgh; Contemporary Museum of Art, Baltimore; and The Whitney Museum of American Art, New York, where he was included in the 2004 Whitney Biennial with his monumental One Picture for Each Page of Thomas Pynchon's Novel Gravity's Rainbow (now in the collection of the Walker Art Center). This fall, D.A.P. is publishing a full-color monograph of his work with an interview by Shamim Momin. He will also be included in the forthcoming Vitamin D published by Phaidon Press. His most recent solo show was at Franklin Art Works, Minneapolis in 2004.